The Guardian celebrates Bocelli-Jameel scholar Anastasia Koorn as one of “the next generation of stars” in its review of the Royal College of Music’s triple-bill of Britten’s Les illuminations, Weill’s Chansons des quais and Ravel’s L’heure espagnole.
In her review, Fiona Maddocks refers to Anastasia’s performance as Concepción in L'heure espagnol as “starlet-like” in “an impressive cast.”